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One Hundred Years of Solitude
The great Gabriel García Márquez created the most famous Latin literature known in the world today. This well-known writer, who started in journalism, saved himself from poverty by showing others the living conditions of the Latin people and the conditions they were subjected to. This novel is called One Hundred Years of Solitude and today it acts as a living witness for all of Latin America.
Gabriel García Márquez is known today as an accomplished Colombian writer, best known for his novel One Hundred Years of Solitude. Born in 1927 in Aracatuba, Colombia, García Márquez (known as Gabo for short) is said to have become an overnight success due to his artistic portrayal of Latin American culture, which has been translated into many foreign languages. In fact, the novel was so powerful that, as William Kennedy put it, the book was “the first piece of literature required to be read by the entire human race since Genesis.” Along with other modern movements, Marquez is responsible for contributing to, if not starting, the “magical realism” that emerged in the 20th century, meaning that he would add an almost fantasy or magical element to his writing, such as flying carpets and alchemy. He did so in the novel “One Hundred Years of Solitude”.
It was with this style of writing that García Márquez contributed to the Latin American Boom, allowing Latin American culture such as art and literature to be introduced to Europe. Being a radical and independent writer was a major factor in Gabriel receiving the Nobel Prize in 1982 for “his novels and short stories in which the fantastic and the realist merge in a richly imaginative world. life and conflicts of the continent”. Many of the events that happen in the novel “One Hundred Years of Solitude” are similar to the situations he was in when he was growing up. The grandparents who raised her are very similar to the protagonists of the novel, such as a very superstitious mother who fears being cursed for marrying her cousin, and a grandfather who acts as superstitious as her grandmother and a grandfather who kills in a duel.
It was in 1965 that Gabriel García Márquez published a poignant novel about a family’s struggle to survive their lifestyle in the simple but mysterious town of Macondo. A city that suffered but was later revealed to be destined to witness more ups and downs in one century than most civilizations experience in more than two or three hundred years. Because of Garcia’s occasional use of out-of-order writing, the novel ultimately fits well, bringing together all the foreshadowing and irony in the novel’s resolution. One Hundred Years of Solitude is written in the past tense, but Garcia repeatedly refers to the future with almost exact, repeated phrases throughout the novel, as well as references to the past that haunt many of the novel’s characters. The families we follow are called the Buendias, whose stories of journey and struggle overlap with the city itself, so that the Buendias and the city of Macondo mirror each other’s every move. Fate and destiny play a large role in the novel between the town and the family, almost so menacingly that the novel seems suspicious to the reader unaware of the preordained fate of the town. Macondo was seen as a very special town because of its isolated nature, but the story unfolded when that isolation was broken by an old friend, relative, culture, trade route, imperialist or war. When the city was isolated at the beginning of the novel, the townspeople got along very well, with each member doing his or her share and contribution to benefit the community. During the conflict with other cultures, the riots grew beyond the control of the city. Unfortunately, like the family responsible for starting the town, it ended desolate, destroyed by a snowball effect.
Intricately woven between the events of Macondo, the novel “One Hundred Years of Solitude” is full of meaning and symbolism designed to make its readers understand the concepts of life. One of the main factors that Garcia points to is the isolation of the verse combination; it is not specified one way or the other, but is referred to as a necessary balance within the community. García Márquez shows the extreme influence of foreign culture, starting in isolation with the city of Macondo itself and the Buendia family, then gradually becoming more connected with other cultures, and then ending in an almost empty, but this time sad, city. More specifically, it was greed that exerted the power of pressure to make sure that the proper work was done by the native Macondos. Speaking of the Buendías family, in contrast to his abhorrence of cruelty, due to the former couple being so closely related, they produced a son born with a pig’s tail, and he bled to death to cut it off. is a natural penalty for a family being too closely related. Basically, Garcia says there needs to be a balance between other sources and involvement. Predictions also played a big role in the novel. Almost all of these prophecies have come true, while the novel has been repeatedly and almost as affectingly prophetic. Whether it’s a young man’s random prediction about a visiting visitor or the final scene where a crucial character’s prophecy needs to be translated to learn that the town’s fate is already decided, it all felt preordained to play out. Part of the reason for this is the movement brought about by magical realism, which, as stated earlier, aims to bring fantasy together with reality; The unreal part of this motif was that it was predestination, and the real part was the fulfillment of prophecies, a really sophisticated way of expressing what García Márquez was trying to achieve, including magical realism.
Much of Garcia’s inspiration is based on events in his early life in Aracataca, Colombia. Most of the references to the small town of Macondo can be applied to many small towns throughout Latin America during the early days of superstitious lifestyles and lack of advanced technology. First of all, the ideology of living in Latin America focuses on the family rather than the individual. it focused on the Buendia family as if they were a single character as a whole, progressing through an aging family, allowing the reader to experience the lives and deaths of nearly every family member. The opening of the novel can be attributed to the most primitive cultures of the Americas, such as the Mayans, the Incas or the Aztecs, due to the extreme isolation of the civilizations and the fascination with the attempts of families to improve themselves with science and technology. with the element of gold. Imperialist occupation is something Gabriel experienced first hand at a very young age.
Garcia makes no attempt to hide his agenda to expose the ruthlessness of the imperialists involved in the fruit trade, and he makes the climax of the entire saga that he creates when the American industry claimed more than 1,000 lives of oppressed and abused banana workers. those who went on strike, tried to regain their freedom. With his work of fiction almost fantasy; Garcia manages to make such a novel historical, if not biographical, revealing what happened to his forefathers and the current state of small Latino towns. Just like what happened in real life after the imperialists came to the Mayans, they left the great civilization after shedding a lot of blood to take over. All these reasons were enough for Marquez to show this massacre in his writings.
The novel itself had such an amazing impact that it made Gabriel García Márquez a pioneer in Latin literature, an almost overnight success, and convinced Mario Vargas Llosa, the now influential Latin writer, to write a 600-page review of Márquez’s fiction. Marquez’s work “One Hundred Years of Solitude” was not only successful among his own people, but also gained fame and appreciation in many European countries. The novel received the Chianchiano Prize in Italy, the Best Foreign Book of the Year in France, the Neustadt Prize for Books, the Romulo Gallegos Prize, and an honorary doctorate from Columbia University, all within three years of its publication. . While achieving such success abroad, Garcia’s novel was able to contribute to the Latin Boom and represented magical realism for those who doubted the legitimacy of the movement and its critics. At home, Garcia became a household name and was considered a hero of Colombia, eventually leading to his most prestigious award, the Noble Prize, in 1982.
It is clear that this novel was a foundation for all literary cultures, breaking language barriers and reminding us of our past actions. Today, Gabriel García Márquez is still alive and his novels and his legacy not only for the people of Colombia but for the entire literary culture live on today. His work is a constant reminder that the best-written novels are those that intricately weave together the necessary literary trends of the time, using large, well-defined characters to explain what is happening in our modern world.
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