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Language Before Music – Music Before Language?

But if…

did you see the sound?

did you hear the idea?

Can you smell the right way?

If it was all about spirals…

It is likely that human ancestors intuitively appreciated that the world was formed around spirals and that the body-mind connection responded more holistically to the perception of sound.

Recently (early 2009) in Leipzig, small hairy mutants began to emit a somewhat low-pitched ultrasonic whistle.

This was the result of an experiment conducted at the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany. Scientists have created a mouse strain that contains a human variant of a gene called FOXP2.

It is a gene associated with several critical functions, including human language ability.

Not surprisingly, a recent comparison of those with the new gene showed that these mice communicate differently with each other, using slightly lower-pitched ultrasonic whistles. Even more interesting: the nerve cells in a region of the brain where they were grown showed a higher level of complexity than in unmodified mice.

These anthropological studies can help us better understand what constellation of genes and cultural practices actually underlie language ability in humans.

As a rehabilitation consultant who helps restore neuromuscular function related to physical balance, I see music’s strong connection to human movement and communication. I believe that the appreciation of rhythm found in music arose as a survival and training tool to reproduce the essential sounds of everyday life. The role of birds as a means of communication to aid the survival of humans and other animals has well-documented precedent. Birds alert us to potential danger, sing us to sleep, are associated with cross-cultural spiritual beliefs, and perhaps represent rhythmic pastimes on Earth.

The idea that sound manipulation evolved to enhance our survival by improving social interaction, reproduction, grouping, and coordinated movement and communication to avoid danger is evident in the development of our brains and neural networks.

When measuring emotional response to music, the first step is to test the embodiment of “meaning” — the person’s understanding of the “meaning” of the various sounds they hear. It appears to be partially genetically transmitted (at least pre-wired), familiar, and easily learned throughout life.

Having a connected, organic system that links our body to a pre-programmed process in the brain (which responds to the sounds and movements we experience throughout our lives) provides this basis for survival.

Absorption of vibration, music, rhythm and even echo is the first language that comes to the body as a sensation. The initial connection of the developing social journey that begins in the womb. To appreciate and understand this indivisible truth – at an elementary level – we need only examine the effect of environmental energy (energy is nature’s most basic pattern of order) as it affects prenatal babies. basis for personal identity (in the form of solidarity rituals).

Let’s use the discovery of the world’s first flute as an example.

A nearly complete flute excavated in 2008 by archaeologist Nicholas J. Conard of the University of Tübingen in Germany from the Hohle Fels cave, about 14 miles southwest of Ulm, suggests that the first humans to invade Europe had a fairly sophisticated musical culture. A griffon wing bone with five precisely drilled holes is the oldest known musical instrument (a 35,000-year-old remnant of early human society) that appears to have contributed to improved social cohesion and new forms of individual expression. communication. It is likely that this indirectly contributed to the demographic expansion of modern humans at the expense of the more culturally conservative Neanderthals.

Social cohesion goes hand in hand with the beginnings of social grouping. People first gathered and lived together in a dimension based on faith, trust, and familiarity that intuitively “fit” the community of human nature. In earlier times, humanity, like animals, was strongly attached to group consciousness and acted as a group to survive. This compatibility naturally created a process that could be called advanced, intuitive communication. In nature, hypercommunication has been used successfully for millions of years to organize dynamic groups. The organized flow of a school of fish or a flock of birds on the wing proves this dramatically. Modern man knows this only on a more subtle level, as “intuition”.

Again, our original tribal form is based on a mental personal information assistant that we carry around in our heads, which matches “face to face” and allows us to name a member of our tribe even in an unfamiliar setting. This is not an archaic process of social formation, but a primary process. Until the most recent of human history, humans lived in “tribe-sized” groups, and our tendency, even today, consistently pulls us back into that comfort zone. For example, it is no accident of modern literature that the Bard deposes King Lear, but keeps around 100 knights to maintain his sense of self and the ruler of the realm of the “royal” community.

Although the formation of personal identity is literally half of this social understanding of the evolution of music and language, a vital element of the formation of “oneness” is found in the group embodiment of sound. In order to develop and experience individuality, we humans have had to mask, or perhaps more accurately encapsulate, our emerging identity in musical form and expression. Thus, the unifying role of acoustics and rhythm (seeking to elicit and direct an emotional response) became essential to the social gathering. The sonic aspects of this environment play a social role, resonating within the biosphere to enliven audiences and ultimately foster a sense of community. For a cross-cultural emphasis, the Renaissance Indian ritual of Astakaliya Kirtan is an example—long chants accompanied by rhythmic drumming to enthrall the participants.

Smelly Voice

However, movements outside of our audible range are still rhythmic and serve us in the same way as spoken sound. We sense movement through our three body balance centers. All of these systems communicate fluid and electrical impulses through the central nervous system (brain and spinal cord), skeletal structure, and muscular system. It is a complex system that works as a team to provide the correct output for proper stabilization of the body against the forces of gravity. Body movements depend on messages to and from the brain’s control room. The brain remembers movement patterns through rhythm, not individual muscle interactions. So even our sense of smell can tell us the direction when it is not clear.

For example, the polyvagal theory, which studies the evolution of the human nervous system and the origin of brain structures, assumes that our social behaviors and emotional disorders are more biological in nature, that is, they are “hardwired” into us. think

The term “polyvagal” combines the words “poly” meaning “many” and “vagal” and refers to the longest set of cranial nerves called the vagus (affectionately known as the “wandering” nerve). In order to understand the theory, a deeper understanding of the vagus nerve must be carefully considered. This nerve is the main component of the autonomic nervous system. A nervous system you don’t control. It makes things like digesting your food automatic. The vagus nerve originates in the brainstem and has branches that regulate structures in the head and several organs, including the heart and colon. The theory suggests that the two different branches of the vagus nerve are related to the unique ways we respond to situations we perceive as safe or dangerous, positioning the body properly for flight or fight. Importantly, this nerve uniquely interacts with the only muscles in the body that are supplied by the cranial and spinal nerves around the neck and upper back (sterno cleido and upper trapezius). These muscles also connect with the olfactory aspect of the limbic brain, allowing us to instinctively turn our head to sense the direction of potential danger.

Thus, it is easily understood how we perceive sound vibration and movement with our physical body and how our body can perform cognitive tasks to support the brain’s multitasking. Using our bodies in this way contributes to a certain survival intelligence. Especially since our bodies are pre-wired to recognize rhythmic patterns, each of our joints has sensors. It allows us to partially communicate with our body, think, remember, and perform cognitive tasks.

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