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Trends and Challenges in Modern Literature
The world is changing at an accelerated pace. It is increasingly like a giant stage where so many postmodern scenarios flash before our eyes.
Do you not share this opinion? Here’s a quick reminder of the latest news:
Geneva, 10 September 2008. The first beam from the Large Hadron Collider at CERN was successfully steered within 27 kilometers of the world’s most powerful particle accelerator at 10:28 this morning.
A European court says the idea that a new supercollider project could create a “celestial vacuum” (a fancy name for a black hole) and eventually destroy Earth is worth debating, but the project can move ahead on schedule anyway.
Every morning we wake up to a 70s SF movie. Just a mirror image of the “state of the art” of human evolution. You have to admit it. We have broken the atom, which is the center of everything, and thereby created chaos.
Contemporary poets reflect this chaos. Postmodern literature does the same. Select the pieces. From the chaos, modernists and postmodernists extract fragments of life around them. Then they leave it up to the reader to put these fragments back together.
But don’t allow yourself to think in traditional ways when addressing Modern and Postmodern topics literature questions. You have to be open to experience and it will make sense! The modern author deliberately leaves the work open to interpretation by the readers. Infinite endings are very similar to the world we live in. Are they simply signs of new artistic tendencies or definitive literary answers to literary questions a new, altered reality?
Given the powerful influence of movies, the internet, and the aforementioned conditions, it is increasingly difficult to instill in today’s media-savvy new generations the pleasure of reading classic literature.
You can blog, phlog, vlog, and podcast, all for free, and get ready, appreciative readers. You can write and publish your own books (ebooks) for a fraction of the cost of a printed book. You could say that this is the bright side of life. Anyone can be a writer and writing doesn’t seem scary anymore.
There are opinions that chatting on the Internet or frequent texting on mobile phones weakens our children’s language skills.
Communication and language skills have actually improved with the advent of the Internet. Basically, the more we talk on the net or by e-mail or mobile, the more we write, the more we express, and somewhere we improve our communication skills and the fear of English, French, German, Serbian or any other language disappears.
Emerging Literary Trends and Technologies
Understanding the symbolism of a new literary medium can seem like a daunting experience. The first step to understanding is observation. So let’s observe what are the main carriers literature response in the new millennium.
The Wikipedia definition of Collaborative Writing (this popular web encyclopedia is an illustrative example of collaborative writing itself): “The term collaborative writing refers to projects in which written works are created by several people together (collaboratively) rather than individually.”
There is a saying “Teamwork makes dreams come true”. Collaborative writing can often lead to books that are richer and more complex than those produced by individuals. Having multiple people working on a project added to the creative process. Also, they can be a great support to each other. And you never know where the story is going! Infinite Endings?
Start to recognize postmodernist symbols?
Another analogy: Instead of a sequential plot method in traditional writing, Collaborative Writing removes all means of interactivity in the creative process. Internet, cell phones, collaborative writing programs, etc. The writing process is deconstructed and reassembled using such means of communication, preferring to be controlled by a group, a community, even readers – an audience, rather than being controlled by solitude and the selfishness of one person. .
Literature born of chaos. Is applied literature another symbol of our newly discovered postmodernism in practice?
Therefore, despite the many material complexities associated with the idea of Collaborative Writing, it represents a respected literary phenomenon. It is here to stay. The main challenge in the future will be how to write it in a “universally acceptable” context, rather than denying its relevance.
Thanks to digital technology and the distribution possibilities offered by the Internet, small publishing is more possible today than ever before. Independent voices can be introduced to the general readership, providing fresh titles in both fiction and non-fiction genres.
However, starting and running a small publishing house can seem like a complicated task. Obtaining International Standard Book Numbers Obtaining a unique Internet domain name for your publishing house’s website Locating your publishing efforts Finding the book imprint that best suits your needs Connecting with small press friendly book reviewers and sending attractive press kits Visiting small press trade shows and networking with other smaller publishers are just a few pieces of the puzzle that many freelance writers are not ready or willing to deal with.
While big publishing may claim most of the profit margins, small publishing remains increasingly alive and well among the small, entrepreneurial set.
Visualization of literature
It’s a “hot term” that can make you look smart at a party. However, the roots of the visualization of literature go back to the first half of the last century. We all remember the famous radio show “The War of the Worlds” by HG Wells, and a few of you nostalgically remember Jeff Wayne’s Musical Version starring a star like Richard Burton.
Visualizing literature in a broad context involves different media interpretations of literature. From recorded stories, video sessions of famous film stars reading children’s literature, finishing a big-budget film project, digitizing literature and e-book publishing, to large international projects such as Project Gutenberg. The Book Teaser Videos industry is increasingly prominent.
Another important aspect and interpretation of the term visualizing literature is related to new, novel ways of writing. It is summed up in two words: “Show, don’t tell.” Anticipating the growing desires of a new generation of readers who watch a lot of movies and think mostly visually, authors tend to think of their books as mini-movies with multidimensional characters with a certain point of view.
Social Networks Media Distribution and new Authorship Models
In the age of WEB 2.0, Social Networks create a completely new environment for communicating a message to the masses.
The Music Industry was the first to recognize the full potential of the Internet and online Communities. Many famous music stars and bands first published their work on the Internet. They realized in time the potential of live and close interaction with their audience and the short-term and long-term benefits that this brings, respectively.
The same processes are developing in the literary community. The fundamental issue of Copyright has been successfully digested with the introduction of the ingenious Creative Common License, which offers creators the best of both worlds to protect their works and encourage certain uses of them.
Literature changes relentlessly, closely following global trends. It is important for literary scholars, authors, and consumers to recognize both the meaning of contemporary literary questions and the symbolism of true literary response to the challenges of a new era. This new understanding will add quality tools to our literature arsenal, allowing us to enjoy it in different, new, exciting ways.
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